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Michael Jackson’s ‘Thriller’ revolution turns 40

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Mixing rock, pop and RnB like never before, Michael Jackson’s “Thriller”, 40 years old next week, became the most successful album of all time and defined a coming era with its au

Mixing rock, pop and RnB like never before, Michael Jackson’s “Thriller”, 40 years old next week, became the most successful album of all time and defined a coming era with its audiovisual ambition.

“Thriller” has sold more than 100 million copies worldwide since its release on November 30, 1982.

It consecrated Jackson as the “King of Pop” and remains a musical lodestone.

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Even renewed allegations of paedophilia in the 2019 documentary “Leaving Neverland” failed to dent his popularity, and Jackson’s reach has continued to grow, with his music currently ranked 60th in the world on Spotify with 36.7 million monthly streams.

His influence is still all over the charts, not least in the form of The Weeknd, whose music has channelled Jackson, from an early cover of “Dirty Diana” (2010’s “DD”) through to his recent chart-topping album “Dawn FM”.

“Michael is somebody that I admire. He’s not like a real person, you know? When I started making music, that’s all I wanted to aspire to, just like every other musician,” the Canadian singer-songwriter told GQ magazine recently.

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Much of the magic on “Thriller” is thanks to producer Quincy Jones, who had worked with Jackson on 1979’s “Off The Wall”.

“The record company didn’t want Quincy for ‘Off The Wall’. They took a dim view of this producer from the jazz world — music that sold peanuts in the eyes of the industry,” said Olivier Cachin, author of two books on Jackson.

But the collaboration saw sparks fly — literally on one occasion.

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“When we were finishing ‘Beat It’… we were working five nights and five days, with no sleep. And at one point, the speakers overloaded and caught on fire!” Jones recalled to Rolling Stone.

– Threatening MTV –

“Thriller” was the moment when Jackson started to pull in influences from across pop culture, with Eddie Van Halen’s hard rock solo on “Beat It”, and pop ballad “The Girl is Mine” with Paul McCartney.

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There were pioneering rap rhythms on “Wanna Be Startin’ Somethin’” and a sample from “Soul Makossa” by saxophonist Manu Dibango (who got a large pay-out after Jackson’s team failed to secure authorisation).

Initially, the record failed to break on to the newly established MTV channel, which refused to show the video for megahit single “Billie Jean” on the grounds that black music did not “fit” with its white-dominated rock programming.

The boss of Jackson’s parent label at CBS, Walter Yetnikoff, “threatened to publicly denounce MTV as huge racists and block their access to videos of rock artists in its catalogue”, said Cachin.

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Yetnikoff won that battle but then found himself clashing with Jackson over his plans for a $1 million video for the album’s last single, the title track “Thriller”.

Jackson wanted to work with director John Landis, having loved his movie “An American Werewolf in London”, while Yetnikoff thought the plan was pointless when the album was already at number one.

“But Michael had a vision, and he was stubborn,” said Cachin.

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The resulting 14-minute mini-film was premiered at a Hollywood cinema before a star-packed crowd and helped re-energise sales of the album.

Not only did it see Jackson turn into a werewolf and bring the living dead out of their graves, but it launched a whole new branch of the music business — extravagant and ambitious videos that came to define the next two decades of pop culture.

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Benue IDPs block highway, demand return to ancestral homes

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Vehicular movement along the Yelwata axis of the Benue–Nasarawa highway was brought to a standstill on Wednesday as Internally Displaced Persons, IDPs, staged a protest, demanding immediate return to their ancestral homes.

The protesters, believed to be victims of persistent attacks by suspected herdsmen, blocked both lanes of the busy highway for several hours, chanting “We want to go back home”.

The protest caused disruption, leaving hundreds of motorists and passengers stranded.

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Eyewitnesses said the displaced persons, many of whom have spent years in overcrowded IDP camps, are expressing deep frustration over the government’s delay in restoring security to their communities.

“We have suffered enough. We want to return to our homes and farms,” one of the protesters told reporters at the scene.

Security personnel were reportedly deployed to monitor the situation and prevent any escalation, though tensions remained high as of press time.

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Efforts to reach the Benue State Emergency Management Agency, SEMA, and other relevant authorities for comment were unsuccessful.

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NNPCL reveals decision not to sell Port Harcourt refinery

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The Nigerian National Petroleum Company Limited, NNPCL has officially decided not to sell the Port Harcourt Refining Company.

NNPCL has, instead said it is committed to conducting an extensive rehabilitation of the facility and ensuring its continued operation.

During a company-wide town hall meeting held at the NNPC Towers in Abuja, Bayo Ojulari, the Group Chief Executive Officer of NNPC Ltd, announced the decision regarding the future of the nation’s most significant state-owned refining asset, putting an end to weeks of speculation.

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A statement by NNPCL reads, “The Nigerian National Petroleum Company Limited has officially ruled out the sale of the Port Harcourt Refining Company, reaffirming its commitment to completing high-grade rehabilitation and retention of the plant.

“The ongoing review indicates that the earlier decision to operate the Port Harcourt refinery, before full completion of its rehabilitation, was ill-informed and subcommercial.

”Although progress is being made on all three, the emerging outlook calls for more advanced technical partnerships to complete and high-grade the rehabilitation of the Port Harcourt refinery.

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”Thus, selling is highly unlikely as it would lead to further value erosion.”

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Tinubu appoints Olumode Adeyemi as Federal Fire Service boss

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President Bola Tinubu has approved the appointment of Adeyemi Olumode, as the new Federal Fire Service, FFS, Controller-General.

The appointment was announced on Wednesday on behalf of the Federal Government by retired Maj.-Gen Abdulmalik Jubril, Secretary of the Civil, Defence, Correctional, Fire and Immigration Services Board, CDCFIB.

Jubril said the appointment followed the retirement of the current Controller-General, Abdulganiyu Jaji, on August 13.

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Jaji is retiring upon attaining the age of 60 by August 13.

Jibril further disclosed said that Adeyemi Olumode is qualified for the position, having attended and passed all mandatory in-service training, Command courses as well as other courses within and outside the country.

“He brings a wealth of experience to his new role, having transferred his service from the FCT Fire Service to the Federal Fire Service and grown to the rank of DCG in the Human Resource Directorate of the Service Headquarters.

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“He has served in various capacities and is equally a member/fellow of the following professional associations including Association of National Accountants of Nigeria, ANAN, Institute of Corporate Administration of Nigeria, Institute of Public Administration of Nigeria and Chartered Institute of Treasury Management of Nigeria.”

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